Paramount Will Keep Licensing Some Content To Third Parties; CEO David Ellison Says Strategy Makes Company “Much More Desirable” To Talent

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During Bob Bakish’s years arsenic CEO of Paramount, nan institution licensed marquee properties for illustration Yellowstone and South Park to third-party buyers successful multi-year, eyebrow-raising deals.

David Ellison, who took nan helm of Paramount aft its merger pinch Skydance past year, told Wall Street analysts Monday that nan institution will proceed to waste authorities to prime programming “for nan foreseeable future.” He emphasized that nan institution is not taking a “one-size-fits-all” approach, arguing nan expertise to support 3rd parties successful nan operation makes Paramount “much much desirable” to imaginative talent.

Ellison fielded a mobility connected nan taxable during a 35-minute telephone pinch Wall Street analysts to talk the company’s first-quarter results. In a missive to shareholders released anterior to nan call, nan institution touted nan capacity of Paramount Television Studios and CBS Studios. While immoderate of its titles watercourse connected Paramount+, PTVS had “several notable milestones” successful nan quarter, including a limited-series bid for The Corrections at Netflix and a third-season renewal of Cross for Prime Video.

The studio’s 2026 slate besides includes caller bid for illustration Ride aliases Die, Reacher spinoff Neagley for Prime Video; 12 12 12, Brothers and Neuromancer for Apple TV; and Hollywood Arts for Netflix, positive caller seasons of established bid Reacher; XO, Kitty; Foundation, and Emily successful Paris.

“We really deliberation that is an incredibly meaningful portion of our business and and intend for that to to continue,” Ellison said of licensing. “There are definite bid and shows that you’ll want to support exclusively connected your ain and operated platform. But location are different bid that perfectly make consciousness to waste to 3rd parties. I deliberation 1 of nan things that is astonishing is immoderate of those series, erstwhile they travel backmost to your owned and operated platforms, will really summation successful viewership. So you really can’t return a one-size-fits-all attack to this problem. It really has to beryllium evaluated connected a case-by-case basis.”

For original bid astatine nan studios, Ellison added, “we’re successful nan business of being nan No. 1 location for nan astir talented artists successful nan world. And erstwhile it comes to – return a showrunner, for illustration – it’s really captious to beryllium successful a position to wherever you are offering that peculiar portion of talent that you’re moving with, nan astir opportunities to get their show made. And we deliberation it is powerfulness from a level position to say, ‘We tin waste into our owned-and-operated, but if for immoderate reason, it doesn’t make consciousness for owned and operated, we tin besides waste them to 3rd parties.’ We ain those shows, they make gross for us, and it besides makes you a overmuch much desirable spot from a talent perspective.

The balanced approach, Ellison said, has “served america really good and we scheme connected that to proceed for nan foreseeable future.”

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Source deadline.com
deadline.com