‘The Colour Of Cannes Honours:’ Industry Platform For Filmmakers Of Color To Launch At Cannes Market, Estelle Set To Host Event & ‘Josephine’ Producer Crystine Zhang To Be Honoured 

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EXCLUSIVE: On May 14, nan Colour Of Cannes Honours, a caller manufacture symposium focused connected filmmakers of colour attending nan Cannes Film Festival and Cannes Market, will motorboat its inaugural version astatine nan Plage des Palmes. 

The arena has been organized by manufacture vets Deborah Riley Draper and Tiara Chesmer-Williams successful collaboration pinch nan Cannes Market. Grammy Award-winning creator Estelle will big nan event. The first version will characteristic a bid of talks and manufacture panels astir nan modern movie marketplace. Crystine Zhang, nan shaper down this year’s breakout Sundance title Josephine, will beryllium awarded nan event’s Vanguard Award.

See nan afloat Colour Of Cannes programme below

The Colour of Cannes Honours Inaugural Program – Thursday, May 14

  • 3:00–4:00 PM: Invite‑Only VIP Reception and Honours Presentation An friendly gathering of filmmakers, executives, and financiers, featuring nan Honours position recognizing Crystine Zhang pinch nan Vanguard Award for her activity successful advancing independent filmmaking and culture-forward storytelling crossed nan world movie landscape. 
  • 4:00–4:15 PM: Fireside Chat pinch Crystine Zhang, moderated by Deadline’s Zac Ntim. A focused speech pinch Vanguard Award recipient Crystine Zhang offering a rare, wrong look astatine really culturally rooted storytelling connects globally, and really imaginative vision, community, and strategy align to navigate nan world movie marketplace. 
  • 4:15–5:00 PM: “The Business of Culture‑Forward Storytelling and nan Indie Filmmaker” moderated by Essence Editor astatine Large Mikki Taylor. Open to each Marché du Film badge holders, this fast‑paced speech is designed arsenic a must‑attend playbook for anyone superior astir making distinctive, culture-forward films. The speech zeroes successful connected what really moves nan needle for authentic stories told connected micro-, low-, and medium‑budget levels, featuring a move lineup of industry-leading ineligible experts, influential executives, and acclaimed filmmakers. This sheet offers cardinal insights into nan imaginative and business forces shaping world cinema.

Draper is simply a filmmaker and nan laminitis of Coffee Bluff Pictures. She directed and co-wrote nan 2025 NAACP Image Award–nominated docuseries James Brown: Say It Loud for A&E. Draper’s different credits see nan docuseries The Legacy of Black Wall Street for OWN/Discovery+, which was nominated for Outstanding Breakthrough Creative – Television astatine nan 2022 NAACP Image Awards, and nan 2024 documentary 13 Days successful Ferguson for Paramount+/CBS. She is presently successful post-production connected nan characteristic doc Romare Bearden: A Life successful Collage and is group to nonstop nan surface adjustment of nan Broadway play Don’t Go Gentle. 

Chesmer-Williams is simply a world maturation and inclusion executive astatine Visa. Before Visa, she held elder activity roles astatine LVMH, Morgan Stanley, and Blackstone, wherever she led large-scale business strategy and assemblage engagement initiatives. 

The Colour Of Cannes organizing squad told Deadline that nan arena has been developed to “create a recurring abstraction wrong nan Marché du Film that connects filmmakers of colour and imaginative leaders pinch nan relationships, visibility, and marketplace pathways needed to move projects forward.” The first version falls connected nan 70th day of nan time Carmen Jones, Otto Preminger’s seminal philharmonic starring Black metallic surface pioneers Dorothy Dandridge and Harry Belafonte, debuted astatine Cannes. Draper and Chesmer-Williams person said nan day serves arsenic a nonstop inspiration for nan effect they purpose to create pinch Colour Of Cannes. 

“The Colour of Cannes Honours is entree pinch intention,” Draper said. 

Chesmer-Williams added: “We want this to consciousness unmistakably for illustration Cannes – cinematic, beautiful, and world but besides unmistakably modern successful who it welcomes and who it’s designed to serve.” 

The City of Atlanta Mayor’s Office of Film, Entertainment and Nightlife is 1 of nan inaugural Colour of Cannes Honours partners and has signed connected to a multi-year deal. Draper and Chesmer-Williams person besides group an advisory committee compiled of world manufacture execs to thief shepherd nan event. See nan advisory committee members below. 

Advisory Board

●      Salma Abdullah – Managing Director, Austrian Film Institute

●      Marcie Cleary – Entertainment Law Partner, Frankfurt Kurnit 

●      Darrien Michele Gipson – Executive Director, SAGindie

●      Doug Melville – Former Richemont Executive and Culture Consultant

●      Dennis St. Rose – Executive, CAA Foundation

●      Tate Taylor – Oscar‑nominated Director & Producer (The Help, Ma) 

●      LaShan Browning – CEO, Antoinette Media

●      Robin Lyon – CEO, BallerAlert

Anahit Ordian, Head of Conferences astatine nan Marché du Film, said The Colour Of Cannes Honours provides nan Market pinch nan opportunity to create a “space for meaningful, relevant, and forward‑looking conversations.”

“We are happy to invited this caller Colour of Cannes inaugural astatine nan Plage des Palmes, which adds a caller furniture of dialogue, complements existing programs, and offers a curated abstraction for exploring emerging priorities and fostering insights for movie professionals pinch divers stories and backgrounds,” Ordian said. 

We sat down for an question and reply pinch Draper and Chesmer-Williams up of this year’s event. The duo said astir nan strategy down nan Colour of Cannes, really they sounded nan task to nan Marché du Film, and their plans for nan event’s future. Read nan question and reply below. 

DEADLINE: Tiara and Deborah, congrats connected nan caller venture. Tell maine really it came astir and really you 2 connected.

TIARA CHESMER-WILLIAMS: I was an inclusion executive astatine LVMH. At Sundance a fewer years back, I was having a squad meal pinch immoderate executives. Deborah collapsed nan meal pinch Robin Lyon, her partner connected Romare Bearden and CEO of Baller Alert. I knew Robin beforehand; she’s an aged friend. But Deborah and I deed it disconnected instantly and stayed successful contact.

18 months later, and we collaborated to big a preview of her Romare Bearden doc astatine Art Basel pinch LVMH. And since then, we’ve conscionable been friends. I near LVMH and started moving connected my ain consulting company, specializing successful uncovering gaps wrong businesses and uncovering ways to authentically entreaty to different markets and demographics. I asked Deborah astir nan abstraction astatine nan Cannes Film Festival because we had some been to Cannes Lions and saw nan summation successful diversity. That’s erstwhile we collaborated to travel up pinch nan conception for nan Colour of Cannes to create a abstraction for america that didn’t exist.

DEBORAH RILEY DRAPER: My first clip astatine nan Marché du Film was successful 2009. I didn’t cognize thing astir it. I conscionable knew that arsenic a filmmaker, it was a spot that I needed to be. My accumulation institution has been registered pinch nan marketplace each twelvemonth since then. But I didn’t cognize really to navigate nan Market. I had my first Market screening successful 2012, and that really started my movie career. I picked up my income supplier there, and that besides led to maine getting an supplier astatine CAA. All of that happened because I was successful nan correct place.

It’s truthful important to understand each these spaces arsenic a personification of color, because we don’t deliberation globally arsenic African Americans. We deliberation astir New York, LA, and Atlanta. But there’s a full world retired location that enjoys our stories. Tiara worked astatine LVMH, truthful she has nan acquisition moving connected nan biggest standard arsenic a businesswoman, diverseness champion, and storyteller. We want to empower others who want to do nan same. That’s why we’re here. We request a soft landing successful Cannes. We request to turn a large organization of group who are willing successful nan stories we want to show truthful they go much visible, amended distributed, and make much money. We sounded nan thought to nan Marché, and it landed pinch them. They understood, and they recognized that this was important.

DEADLINE: Who will beryllium attending? Who is nan audience?

DRAPER: We person producers, directors, writers, and actors. We want to create a room wherever location are capable group to make 100 films. Our occupation is to make judge group meet each different and understand there’s a world organization that’s willing successful this. We want conversations. We want collaborations. We want group successful nan room to person a movie successful Cannes successful a mates of years. We want personification to triumph a Palme d’Or.

DEADLINE: Crystine Zhang is nan first recipient of nan Vanguard Award. Tell maine why she was chosen for nan honor.

DRAPER: The Vanguard Award isn’t conscionable astir what you’ve done, it’s astir really you spot things and what you’re going to do successful nan future. And pinch her slate, Crystine is capable to move from a movie that whitethorn beryllium depicting an Asian communicative to a movie astir nan Holocaust to a movie for illustration Josephine, astir a small woman of colour who sees a murder. She has an absorbing oculus arsenic a producer, and she’s capable to get these quirky small scripts financed successful a marketplace wherever cipher is getting thing financed. Josephine is a existent Oscar contender. No 1 has ever seen Channing Tatum present that benignant of performance. And nan young girl, Mason Reeves, that’s her first clip connected a screen. 

CHESMER-WILLIAMS: To adhd on, what I emotion astir Crystine is that what astir group spot arsenic taking a risk, which connected Josephine would beryllium casting a young kid who doesn’t person immoderate large surface experience, she sees arsenic an opportunity. That’s 1 of nan standout reasons why we chose her.

DEADLINE: The City of Atlanta is simply a partner connected nan event. How did that happen? And why partner pinch nan city?

DRAPER: It’s our city. Tiara has a awesome narration pinch nan metropolis of Atlanta, arsenic do I. The Mayor saw nan imagination because he sees Atlanta arsenic a world accumulation city, and having 2 proud women from Atlanta connected nan world shape talking astir filmmaking is thing that’s important to nan city, truthful nan politician stood down us.

DEADLINE: Mikki Taylor from Essence is moderating nan keynote panel.

DRAPER: Yes, she’s moderating nan sheet pinch Marcie Cleary, who is 1 of nan apical Black female intermezo lawyers successful nan United States. And past we person Darrien Gipson, who’s nan executive head of SAG Indie.

CHESMER-WILLIAMS:  They’re joined by Valerie Mosley, who is simply a financier. She’s managed complete $20 cardinal successful her lifetime. She’s an master financier and money guidance professional, truthful she’s going to bring that expertise. And we besides person Stephanie Abdullah from nan Austrian Film Institute. She’s besides a world distributor. She will bring that expertise. So, you person nan networking portion. But past you will person each this accusation coming astatine you. We’re trying to group everyone up for occurrence successful this room. We want group to person thing to return away.

DEADLINE: Do you spot nan Colour of Cannes arsenic a semipermanent venture? You’re some beautiful engaged women. Will you proceed to beryllium hands-on?

DRAPER:  We spot this arsenic long-term. We envision it getting bigger and amended and becoming nan astir talked about, astir impactful, and astir successful convention wrong nan Marché because group want it. I’m very fortunate to person Tiara arsenic a partner, because she’s a very smart businesswoman. We besides person a awesome advisory board, filled pinch smart businesspeople to thief guideline us.

CHESMER-WILLIAMS: One of nan biggest challenges of immoderate business is scaling up; that’s why we’ve been intentional astir building our advisory board. We’re each difficult workers pinch tons of energy, truthful to reply your question, yes, Deborah and I will ever beryllium present curating nan vision. 

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Source deadline.com
deadline.com