Curry Barker is quickly emerging arsenic 1 of horror’s astir breathtaking caller voices. Even mega-producer Jason Blum has praised Barker arsenic 1 of nan astir breathtaking scary filmmakers moving today. With his latest film, Obsession, now playing, Barker sat down to talk nan project, his attack to horror, and what’s next.
To begin, Barker opened up astir his longtime imaginative business pinch Cooper Tomlinson, who stars successful nan movie alongside a formed of talented caller actors, revealing that their collaboration dates backmost to their clip successful movie schoolhouse earlier nan brace yet decided to time off and prosecute filmmaking afloat time. Barker explained that aft dropping out, nan 2 began creating contented together, yet launching their sketch drama marque “That’s A Bad Idea,” which helped build their assemblage online and laid nan groundwork for early projects like Obsession. Watch nan clip below.
Elsewhere successful nan conversation, Barker reflected connected nan breakout occurrence of his low-budget scary film Milk & Cereal, which gained important traction online and helped present his activity to a wider audience. When asked whether nan viral consequence marked nan infinitesimal Hollywood began taking notice, Barker admitted he believes it was nan task that pushed him into nan mainstream conversation, peculiarly arsenic manufacture publications and intermezo outlets began paying attraction to his activity and imaginative voice. Watch nan clip below.
The momentum continued to build arsenic Barker said astir receiving early praise from influential scary shaper Jason Blum, who has described him arsenic 1 of nan astir breathtaking emerging voices successful nan genre. Barker said nan support has been profoundly meaningful to him, adding that Blum has been “awesome” successful championing his work. He besides teased that their narration is acold from a one-off collaboration, noting that nan 2 are expected to proceed moving together connected early projects arsenic his floor plan successful nan scary abstraction continues to grow. Watch nan clip below.
In casting his lead for Obsession, Barker besides elaborate really he discovered his character for Bear, played by Michael Johnston. Barker explained that nan performer was initially connected a casting shortlist and stood retired instantly owed to his extended voiceover inheritance — thing Barker didn’t moreover recognize astatine first. What caught his attraction astir was his sound itself, which Barker described arsenic uniquely compelling and emotionally textured. That quality, mixed pinch a subtle separator of acheronian he sensed successful nan actor’s presence, yet made him consciousness Johnston was nan cleanable fresh for Bear, a characteristic who required some vulnerability and an undercurrent of unease. Watch nan clip below.
In discussing nan film’s much utmost edges, Barker revealed that 1 peculiar series (SPOILER ALERT!) involving nan characteristic Sarah astir pushed Obsession into NC-17 territory. Barker said nan scene, successful its original cut, was importantly much intense, yet forcing him to propulsion backmost connected definite elements successful bid to debar nan restrictive rating. He noted that while nan infinitesimal remains 1 of nan film’s astir charged, nan adjustments were basal to sphere nan film’s broader accessibility without losing nan affectional and psychological weight that made nan series effective successful nan first place. Watch nan clip below.
Rounding retired nan conversation, Barker concisely touched connected his ambitions beyond Obsession, pointing to a clear desire to proceed expanding wrong nan scary genre while besides pushing into caller imaginative territory. He besides teased upcoming activity tied to A24’s Texas Chainsaw Massacre project, arsenic good as Anything But Ghosts, signaling a engaged slate up arsenic he builds connected his momentum and continues shaping his sound crossed some established franchises and original material. Watch nan clip below.
‘Obsession’ is now playing successful theaters.